MINCULT vs Pedro Pablo Oliva Writer Orlando Luis Pardo Lazo
do not know the artist Pinar del Rio Pedro Pablo Oliva. (or may not get that, and we are only a
illusion of identity.) But since 1987 a small retain original signed by him
"Traveler" is called, and probably cost a trifle
national currency because, at that time Unfortunately, only circulating in Cuba Cuban peso
the useless (not a few were prisoners ahead of their time and treasure
dollars in smuggled half a box).
I like the work I do not know of this fellow unknown. I remember their Grandparents
Fideles, asleep like most of his nightmare with little characters
bizarre colors (although
give the illusion of being realistic). I know he had his run-ins to expose
Fidel Castro on his canvases, but I think that after the usual ministerial
censorship, one or another of their commanders in chief does come
miniature & # 243; to galleries (and have even used
magazine covers such as UNION oficialistoide!)
Now winds of death come Só as for the poor Cuban dissidents, but also
our intellectual enrichment. There will be puppet
head before the Apocalypse or apoptosis Maximum Leader. So
after 13 years of creative work, the Casa Taller Pedro Pablo Oliva
the city of Pinar del Rio has been closed by the state (of miracle you still have
confiscated or worse, as the records that made him a political police
editor of the magazine COEXISTENCE, directed by his countryman
Dagoberto Valdés).
The former deputy of the Popular Power Pedro Pablo Oliva
accused him face to face in a government meeting. I said to the evil that was going to
die, starting with "traitor" to the Revolucióny, of course, his Fidel as
defaced. He was expelled from everywhere. The outgoing Minister of Culture Abel Prieto
phoned him and suddenly had no courage to scold
, so ipso facto became the victim or the hysterical
and rudely hung up on are threatened.
have banned students from Art of the province (and country) come to him.
As they seem to stink, stank like apparently. Who knows if they think
to police questioning the first opportunity, if the international community
now responds immediately,
in solidarity with the fate of the universal artist who believes in public in the
multiparty political sin is not to be epistolary friend, for example
, Yoani Sánchez). Miro
his "Traveller" in 1987. Been too long since then.
On the cardstock, a colorful pins baby swings on an axle with wheels
mixed. What imbalance. What skein so free of any maze
other than a few brush strokes without a map. What
image and how painful sad fate for a career where the
conciliation prevailed, besides the aesthetic genius of Pedro Pablo Oliva. Cuba is
cannibalizing the best Cubans. The future belongs
right to own the carcass of this foolish nation.
drinking spaces on the island promises to be zero. Like when he
embullo fool with perestroika, the political police now has plenty of personal
to burn at a time our personalities
critical or dissatisfied . Exile, illness,
encerronas common crime. I recommend the silence. Survive, by
favor. Tomorrow we will sorely needed amidst the new mafias.
But for now, if I read a remaining tin heart, not let the Revolution
the painter's soul mate Pedro Pablo Oliva.
tell me that he cried like a child alone after closing the poster hanging in his house
Workshop, where we stop dreaming strictly prohibited.
wept with the innocence of one of his own doodles
grotesquely charming. Sorry, an unknown brother. Resist now. You touched your ration irrational truth. You're so in the open like me. Your
as now by chance you hit (your Premio Nacional de Artes Plastic around). Like I am with you. Remove the dust from your little book of 1987, as piñeriana
. It's just hate the fucking fact everywhere. Havana
http://pdc-cuba.org/foro-internacional/cuba-al-dia/6071-mincult-vs-pedro-pablo-oliva.html
Former prisoner
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